upcooming releases

irradiation by Sylvain Monchoce, Ethan Marks, and Jeonghyeon Joo via Mung Music
TBA by David Rosenboom and Jeonghyeon Joo 

discography


Gneiss (2025)

Gneiss (pronounced “nice”), a band from Los Angeles consisting of Jeonghyeon Joo (haegeum, composition), Joshua Gerowitz (guitar, composition), Ethan Marks (trumpet, composition), and Georgia E. Bell (bass, composition/design), brings a set of composed and improvised music themed on the formation and transition of rock. Pre-orders of the physical album will be available from January 27th and will be shipped sequentially from February 10th. 

Georgia E. Bell (double bass), Joshua Gerowitz (electric guitar), Jeonghyeon Joo (haegeum), Ethan Marks (trumpet/effects)
Recorded on 5.27.23 at Subtle Purple Studios in Los Angeles
Engineered and mixed by Joshua Gerowitz
Mastered by Daniel Eaton at Little Castle Mastering
Album artwork and design by Georgia E. Bell
The Creeps (2024)

An experiment in parallel play, The Creeps is an ensemble of soloists deeply rooted in their individual musical practices, working on their own together to weave this unsettling world. The Creeps burst forth in a live performance in downtown Los Angeles before reuniting in the studio to prove the experiment repeatable.

Tim Feeney (percussion), Jeonghyeon Joo (haegeum & electronics), Ethan Marks (quartertone flugelhorn & feedback), Patrick Shiroishi (saxophone & effects)

Recorded on May 31st, 2022, in Los Angeles, CA
Recording Engineer: Nicholas Deyoe
Mixing: Nicholas Deyoe and Ethan Marks
Mastering: Andrew Weathers
Album Artwork and Layout: Cecyl Ruehlen
Produced by Ethan Marks
Produced for CD + Digital by HARMONIC OOZE RECORDS
Tucson AZ USA | 2024 | Hz No. 027
jjjjjit (2024)

Leo Chang, piri and electronics
Jeonghyeon Joo, haegeum

recorded April 2022, Brooklyn, NY
mixed July 2022, Brooklyn, NY

Falt, France
Exercise/Exorcise (2021)

For those who have trained in classical performance practice, expertise often comes with the weight of history and tradition filled with expectations and assumptions about what is appropriate and good.
How might we honor and build upon our traditional training as performers and composers without being weighed down by it? How do we exercise these cultivated skills while exorcising ourselves of the burdensome expectations that inhibit exploration and creativity?
This series of guided, improvised duets explores a series of contrasting dualities (male/female, voice/instrument, east/west, traditional/experimental) in hopes of finding hidden third ways between and beyond such binaries (Fahad Siadat and Jeonghyeon Joo)

Fahad Siadat, voice
Jeonghyeon Joo, haegeum
David Saldaña, recording
Jungin Park, audio mixing
Jungmyun Lee, audio mastering
Taimin Ahn, cover design
special thanks to the First Congregational Church of Los Angeles.

Distributed by 4Tay Records (United States), SoundPress (South Korea)
Recorded at First Congregational Church of Los Angeles, November 13th, 2019
Haegeum Sanjo (2019)

Jeonghyeon Joo, haegeum
Inhyuk Hwang, janggu
Jeongmyun Lee, recording engineer
EUM Sound, mixing & mastering
gogamdoc, director of photography
project supported by Arts Council Korea  
Ensemble PHASE - HEARKENER I & II (2019/20)

Works by Sngkn Kim, Seungwan Baek, Jeongmin Park, Songyi Kim, Sangbin Rhie, and Myungsun Lee.

Jeonghyeon Joo, haegeum
Nayeong Park, gayageum
Jeongmin Park, geomungo
Kilyong Chae, daegeum
Minseop Song, piri and saengwhang
Sori Choi, percussion
Studio Paju, audio mixing and mastering
project supported by Seoul Metropolitan Government
Other contributed albums: Aurogeny by Ben Richter (2023); Wrevisions by Joshua Sadinsky (2021).

This website is optimized for desktop.

© 2025 Jeonghyeon Joo.